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He stated: 'Affluent people can give their kids everything they want, but they're not usually going to get what they need. Loving a child is a lot harder if you really give a d***. "No" takes a lot more energy. It's a lot easier to say "yes."'

The expert explained that the odds of you being murdered by a serial killer is 0.00039 per cent and that 'all serial killers are born psychopaths' but a mix of early trauma is what makes them deadly murders.

This indie gem might have flown under the radar, so if you're looking for a modern romcom overflowing with charm, definitely give Tramps a watch. Callum Turner and Grace Van Patten star as Danny and Ellie, a sincere good kid and a streetwise girl who attempt to carry out a shady deal for a little cash. Tightly scripted and deftly avoiding hackneyed territory, Tramps will effortlessly win your heart.

This Italian film has the seal of approval from Bong Joon-ho, so let's listen to the Oscar-winning director of Parasite and add it to this list. Written and directed by Alice Rohrwacher, Happy as Lazzaro is set in the '70s on a tobacco farm, where good-hearted young peasant Lazzaro dutifully works. When a nobleman convinces him to help him fake his own kidnapping, a story of friendship, innocence and social commentary unfolds. A gorgeously shot, cinematic fairytale.

The clip is edited to look like it appeared on a CNN broadcast, showing a black toddler running away from a white child, with a fake CNN breaking news caption reading: 'Terrified todler (sic) runs from racist baby.'

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This fine British drama excavates a whole lot of buried treasure with a distinguished cast in Carey Mulligan, Ralph Fiennes, Lily James and Johnny Flynn. It's based on the true events around the 1939 excavation of Sutton Hoo, yielding a priceless trove of Anglo-Saxon artifacts hidden in a burial ship. Romantic, intellectual and moving, The Dig is a full sweep of elegance.

Psychopaths display different traits depending on their disorder, but common signs include superficial charm, a grandiose notion of self-worth, the need for stimulation and impulsiveness, pathological lying, the ability to manipulate others and a lack of remorse and empathy.

This award-winning French film begins with a severed hand escaping a refrigerator in a laboratory and embarking on a Paris-wide search for the rest of its body. What an opening! With a few flashbacks and elegant animation, this strange, satisfying story delves into loss, both physical and emotional, in the most poetic of ways.

Universities will be required to publish the drop-out rate and graduate job outcomes on every advert they put out for a degree, in the same way loans have to be upfront about APR, under plans being considered by the Education Secretary.

'We should be encouraging more students to do T-Levels and apprenticeships - in contrast to most students who go to university and do not get good graduate jobs despite the great whacking loans they take out.'

A psychological thriller that dives deep into the surreal. I'm Thinking of Ending Things definitely won't be for everyone, but it connects you to the frustrations of the young woman (Jessie Buckley) at its heart, who grapples with breaking off her seven-week-relationship with her boyfriend Jake (Jesse Plemons). While it overstays its welcome a little, I'm Thinking of Ending Things always keeps you on your toes, with atmospheric cinematography and strong performances from Toni Collette and David Thewlis as Jake's fairly odd parents. Fans of director-writer Charlie Kaufman will be pleased.

Vampires vs. the Bronx is a unique comedy-horror in more ways than one. Set in the New York borough of the Bronx, it follows young Miguel Martinez, a big-hearted kid helping to raise money for his struggling local bodega before it's forced to sell. But it's not just new designer clothing stores threatening to move in: Creepy pale neck-chompers are eating up people and their properties. A commentary on gentrification with goofy charm, twists and thrills, Vampires vs. the Bronx is a fresh, entertaining spin on the genre.

This elegant Spanish film will steep you in its rich imagery and phenomenally good performances from its two leads. Susi Sánchez and Bárbara Lennie star as Anabel and Chiara respectively, an estranged mother and daughter who reunite for reasons that aren't as clear as they first seem. The precision of the filmmaking here is worthy of soaking up for those who are partial to deliberately paced meditations on pain, love and loss. Masterful.

People shouldn't feel they have to go to university' adding that vocational routes should not be seen as just 'hard hats and high vis jackets' but also highly technical professions including working on film sets.